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Introduction: After the defeat of the Persians by Alexander
the Great in the late 4th Century BCE, much of the area around Asia
Minor, Egypt and Italy was affected artistically by the Greek way. Much
of the architectural styles in the outlying areas took on those of the
Doric and Ionic temples, while sculpture adopted the realistic Greek
proportions. However, artwork, especially sculpture, became much more
individual and emotional. The ideal athlete was replaced by the
suffering, wounded warrior.
Pergamon (on the coast of Asia Minor) becomes a cultural center for
artistic achievements. |
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Epigonos, Dying Gaul, 230-220 BCE
Athena Attacking the Giants, Altar of Zeus, c166-156 BCE
Nike of Samothrace, c190 BCE
Hagesandros, Polydoros, amd Athanadoros, Laocoon and His Sons, early first century AD
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Etruscan Art
By the sixth century BCE, a group of people known as the Etruscans
controlled a large and powerful empire near the coast of Italy, around what is
now Rome. The Etruscans successfully ruled until they were overthrown by the
Romans in 281 BCE. Strongly influenced by the Greeks, The Etruscans provided an
artistic link between the Greeks and the Romans.
The Romans will establish and rule one of the most extensive empires in history.
Imposing their culture on all people under their domain, the Romans ruled an empire
that stretched from the Euphrates River in the Near East, to North Africa, and to Scotland in
Northern Europe.
At this time, a new order of
architectural elements is created: The TUSCAN Order. This marked by a
simple column base and a plain, unfluted column. The Etruscan
style temple is also fairly different from its predecessors.
- Life-size terra cotta of
Apollo, c500 BCE. (Note the use of the 'Archaic smiles' on the
Etruscan sculptures.)
- Etruscan Sarcophagus in
Cerveteri, c520 BCE shows that the Etruscans had a more friendly,
gentle approach to death.
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